Narrator

Utterson. We will quickly realize that Utterson is often the narratee of narratives dealing with this very strange case of Dr Jekyll and Mr. Hyde: the narrative of the murder of Lord Carew is not directly told to him (it is narrated by a heterodiegetic narrator at the beginning of chapter 4), but Utterson is the first one to be told the dreadful news. Then Dr Lanyon writes to Utterson just before dying, and Jekyll does the same. Utterson has the very privileged view-point of a man who is not, strictly speaking

he is in a predicament and there is no way out except by denouncing other people. The scene takes place in 1951. Eric Smythe, a TV comedy writer has been summoned to a meeting with an FBI agent and some TV executives who are his employers. The narrator of this text is Eric himself. We witness the whole scene through his eyes and we feel the growing tension in his body and mind; This point of view which here is the one of the good guy and the innocent victim gives much strength to the narration

a testimony about the changes that have taken place in the educational system. It is also a nostalgic yearning for childhood school life and a critique of the deterioration of the Moroccan educational system. The tone of the text is given by the narrator/teacher from the first page: He stands in front of a small group of students, who are dispersed in a classroom which has not been restored to good condition since the creation of the university two decades ago. Decay, in fact, takes various forms

secluded property, vivid colors, and underground vaults as well as themes of vengeance and the overwhelming power of evil. [ 8 ] Future works will also depict characters of extreme wealth; besides Metzengerstein, other examples are Roderick Usher, the narrator in " Ligeia " and Legrand's restored fortune in " The Gold-Bug ". [ 12 ] Poe also uses teeth as a symbol for the first time in "Metzengerstein". Parmi les éléments Poe utilise d'abord dans "Metzengerstein" qui deviendra typique dans ses dernières

....................................... ............................................................................................................................................................... The mystery a) Throughout the passage the narrator undergoes a change of feelings. Using the following adverbs: at first, then, later, finally, describe this evolution and quote when necessary. ......................................................................................................

nobility of Darcy’s character, she realizes the error of her initial prejudice against him. Fitzwilliam Darcy The son of a wealthy, well-established family and the master of the great estate of Pemberley, Darcy is Elizabeth’s male counterpart. The narrator relates Elizabeth’s point of view of events more often than Darcy’s, so Elizabeth often seems a more sympathetic figure. The reader eventually realizes, however, that Darcy is her ideal match. Intelligent and forthright, he too has a tendency to

their life trying to get it back. Expression écrite LV1/LV2 (B1) (students’ own answers) Récompenser les copies qui mettent en avant les sentiments du personnage (peur, consternation, incompréhension...) (exemple) At the end of the passage, the narrator is told that his father was a courageous man who would do anything in order to achieve what he had set out to do. He paid no attention to what other people thought. In other words, the narrator’s father is portrayed as a heroic figure. The grandfather

faire le parallèle entre notre époque et les années 1920. Corrigé de la fiche Webquest (livre du professeur, p. 319) A. a. 1925 – b. Francis Scott Fitzgerald, American – c. the 1920s – d. the Jazz Age, the Roaring Twenties – e. main characters: – the narrator: Nick Carraway – Gatsby’s father: Henry Gatz – the protagonist: Jay Gatsby – Gatsby’s protector and mentor: Dan Cody – the protagonist’s real name: James Gatz – Gatsby’s business associate: Meyer Wolfsheim – Nick’s cousin: Daisy Buchanan – Gatsby’s

any consideration or respect for the local people and culture. He adds that his ancestors asked them to take care of the world and keep it as they left it. The songlines : The scene takes/place/ is set in Australian outback, in Alice Spring. The narrator is Bruce. Bruce witnesses a scene in Mrs Lacey’s bookstore where Stan, an Aborigine is selling his paintings illustrating the dreamtime. One of the paintings is entitled the Honey Ant. A couple of American tourists approaches him and tries to buy

of the author and the camera recalls of another French film: L’auberge espagnole by Cédric Kaplish. In this movie, we follow a male protagonist, Xavier, as he moves to Barcelona. We are constantly ‘helped’ to assess what happens to Xavier by the narrator/camera who decides to accelerate the boring uninteresting passages, or to circle the hero when he is in a crowd so that we don’t lose him, to take mental pictures of moments and people, or simply to listen to the hero tell us what he thinks, his