Narrator

ancora a lui. Il racconto si ferma con ‹‹ Basta dei morti non si parla ›› (l. 62-63) e ‹‹ È roba di famiglia ›› (l. 71) la sua morte dunque non ha più niente di fare in questo libro, solo la famiglia può decidere ciò che è da fare. Questo passo è narrato da un narratore esterno al racconto alla terza persona, dunque che dovrebbe essere obiettivo verso ai personaggi, invece al credo del verismo possiamo notare che il narratore segue le posizione dei protagonisti attraverso parole soggettive come ‹‹

correct, whereas Reverend Ambrose uses emotional language and colloquial English. Reverend Ambrose is overcome with anger. He is exasperated at Grant’s lack of concern for the fate of Jefferson’s soul, and his uncompromising attitude. Grant (as narrator) says “He stared at me as if he could not make up his mind whether to hit me or scream” Reverend Ambrose is totally convinced that if he doesn’t get down on his knees and pray to God for forgiveness before he dies, Jefferson will go to hell

time-honored tradition and conservatism. The blowup of the image had something of The Gleaners, an oil painting by Millet (1857), but without the peasants. Looking at the photograph, I was reminded of the famous line by the Stage Manager, the narrator of the play Our Town[3] written by Thornton Wilder in 1937: Nice town, y’know what I mean? There was something warm and safe about it, even if was wrapped in the coldness of the black and white. Under the picture is a slogan stating that Sackville

post-modernistic styling seems to be of interest to readers still today, but as the author suggested it, themes such as passion and woman liberation from man make the novel a success nowadays. However, the narrative style of the book enables the narrator to be brutally honest, if not crude, consequently, Lessing was accused at some point to be unfeminine. She responded by saying that it would not have shocked anyone had it come from a man and that this right they had to be honest was taken for granted

end: Nostalgia, and memories of the past. 4. Mick does not smoke all the time, because we can see it at line 19 :” the cigarette gave her a drunk feeling”, she feels sick when she smoke cigarette, because she is not used to. I think, when the narrator say “ she had to finish it”, he means she wants to finish it, she may need it. 5. Mick is an imaginative person, who lives in a dream. We can see it in the passage when she is imagining her future life, but she is talking with the conditional

veterans did several years earlier. But in 1965 whole young men did not share the same values. In the second document which is an extract from a collection of related stories written by Tim O'brien a former soldier who served during the vietnam war, the narrator tells us that before he was sent to the quagmire, he complained about something : the US government did not let you the choice to defend or not your country ! Every body could be called up because the government needed as many people as possible

l'histoire est vue et racontée.Les techniques narratives (narrative techniques) font référence au moyens littéraires mis en oeuvre pour raconter l'histoire. I) Narration à la 3ème personne: - La technique dite du narrateur omniscient (omniscient narrator) part du principe que l'auteur connaît tout de l'histoire et de ses personnages. Il contrôle l'histoire et intervient parfois dans la narration pour s'adresser directement au lecteur. L'écrivain crée alors une complicité avec le lecteur. - Multiple

der ofte er blevet rost for at være særligt indisk, også at finde i den vestlige litterære tradition, hvilket Merivale med al tydelighed har påvist. “Neither the textual fragmentation of Midnight’s Children nor the personal fragmentation of its narrator is necessarily subversive of the ideology of late capitalism, which revels in such fragmentation. And by now it should be clear that Rushdie’s use of a complex, nonlinear narrative form for the presentation of the postcolonial history of India is

levels in the narration. Indeed two different perception of the American environment are coexisting in the novel. Henderson is lost and completely alienated in America but he is never criticizing the place or the people. On the contrary the way the narrator describes the natives as complete morons and depicts the American environment with a highly satirical tone.

est-elle assez rapide pour que tu t'envoles Tu dois prendre une décision Tu pars ce soir ou vit et meurs de cette façon From my notes on the song before class: Narrative: The speaker’s dad is an alcoholic and mother has left the family, so the narrator gets a job. But she’d rather leave town and go to the city with this guy who has a fast car — because being with him in the fast car makes her feel like she is someone and belongs. However, once in the city with this guy and children, she finds