KRS-One

pour la première fois, en France. 1979 : sortie d’un album « Live » qui concrétise le travail scénique du groupe. Freddie Mercury démontre être « une bête de scène » et enchante son public. 1980 : sortie de l’album « The Game ». Le single « Another One Bites The Dust » expérimente un style funk-rock qui réussi à conquérir le public noir américain et sud américain, chose inédite jusqu’à lors par un groupe rock « Blanc ». 1981 : rencontre avec David Bowie et sortie du fabuleux duo « Under Pressure »

vis pour le diable http://www.youtube.com/watch?v=CR3YtVquqMY THE EAGLES - HOTEL CALIFORNIA satan est venu et a organise sa propre religion alors qu'il sait qu'il n'aurait pas du http://www.youtube.com/watch?v=8aNg6tYLYtY QUEEN - ANOTHER ONE BITES THE DUST its fun to smoke marijuana X2 c'est pour samuser fume le http://www.youtube.com/watch?v=GhIrBn3p7e0&feature=related Demon appears in Telephone - Lady Gaga http://www.youtube.com/watch?v=A1kurcvEfqs&feature=related explication

Martin, accompagnée d’Alfa Anderson. En juin 1979, le single Good times, tiré de l'album Risqué, est soutenu par une ligne de basse de Bernard Edwards qui sera largement reprise ou copiée, de Sugarhill Gang (Rapper's Delight en 1979) à Queen (Another one bites the dust en 1980) ainsi que Wot de Captain Sensible. Le lancement de Rapper's Delight, qui a marqué l'histoire du rap (plus de 15 millions de copies vendues), a d'ailleurs provoqué une polémique1 : Rodgers et Edwards l'entendent un soir dans une

Move your body crazy you now be my sexy lady Sexy lady, sexy lady Follow me, yeah we got it Let's get this party started...party started Let's get this party started! Get down... Move your body crazy you now be my sexy lady Sexy lady, sexy lady Follow me, yeah we got it Let's get this party started...party started Let's get this party started! Sexy lady, going crazy Gotta rythm come on baby, get down Sexy lady, going crazy Gotta rythm come on baby, get down Get down... The

It's not her fault that she's so irresistible But all the damage she's caused isn't fixable Every twenty seconds you repeat her name But when it comes to me you don't care If I'm alive or dead So objection I don't wanna be the exception To get a bit(un peu de) of your attention I love you for free and I'm not your mother But you don't even bother(ne t interesses) Objection I'm tired of this triangle Got dizzy(avoir du vertige) dancing tango I'm falling apart in your hands again No way

One of the hardest things in life is watching the person you love, love someone else. “Laugh as much as you breathe and love as long as you live.” It hurts to love someone and not be loved in return, but what is the most painful is to love someone and never find the courage to let the person know how you feel. Experience is the name every one gives to their mistakes. I don't want to live. I want to love first, and live incidentally. You see things; and you say, 'Why?' But I dream things that

Report Executive summary: I’ve done my internship in Carrefour, an international mass distribution company. I worked for two month in one of the shops in Paris, the one in the richest area of the capital. I basically did what any other employee would do. Introduction: My report will look at: - The job I had to do - The climate of the internship - The advantage an inconvenient Findings: 1) During two months, I did what any other employee did, which consist in filling

differences but never forget. As a consequence, I think that it's important to forgive, but forgetting is not an obligation. The fact to forget can be beneficent. If you want to build something, you must forget bad things and back to square one. Otherwise, you'd loose your friend and you'll never get on well with them... [ 338 words ]

Take a breath, I pull myself together. Just another step until I reach the door. You'll never know the way it tears me up inside to see you.. I wish that I could tell you something to take it all away. [Chorus] Sometimes I wish I could save you, And there's so many things that I want you to know. I won't give up 'til it's over. If it takes you forever, I want you to know.. When I hear your voice, It's drowning in the whispers. It's just skin and bones, There's nothing left

DJ Muggs, producteur originaire de New York, renforce le son sombre déjà propre à Cypress Hill. Début du groupe[modifier] Le groupe joue principalement devant le public latino de Los Angeles et enregistre des démos de chansons comme Phuncky Feel One et Trigga Happy Nigga. Ils signent en 1991 sur le label Ruffhouse Records de Philadelphie (distribué par Columbia Records). On peut ajouter que, si la majorité des albums ont comme support aux voix des morceaux instrumentaux mixés sur platine, les