Crying

tous les records de croissance économique, les opposants au pouvoir en place, au premier rang desquels Washington et la plupart des grands médias internationaux, n’ont cessé de « gémir, se morfondre et espérer », pour reprendre le titre de la chanson Crying, Waiting, Hoping du célèbre rocker Buddy Holly. La bulle pétrolière n’allait pas tarder à éclater, écrivaient-ils à longueur de page, appelant l’événement de leurs vœux. Mais voilà : en cinq ans et demi, le produit intérieur brut (PIB) réel du

raining’), rather than ‘Birds are flying.’ A famous poem by Paul Verlaine plays on this structure: ‘Il pleure dans mon coeur | Comme il pleut sur la ville’ (It cries in my heart, as it rains on the town). We say ‘it’s raining in town’; why not ‘it’s crying in my heart’? Language is not a ‘nomenclature’ that provides labels for pre-existing categories; it generates its own categories. But speakers and readers can be brought to see through and around the settings of their language, so as to see a different

have read more books and listened to more tapes than anyone should. I know the best time to close is all the time. I know to think myself rich. I know to visualize myself making the sale. I know how to sell. I work hard at it. I am from Nebraska for crying out loud. All they know is hard work and football. What could Marilyn possibly tell me that I didn’t already know? Nothing. That was the first thing she said. “Now, I’m not going to tell you anything you don’t already know. But when you leave here

chose sur la façon de poser les questions d’information. Vous les posez en ajoutant simplement un mot de question à une question to be ou à une question to do. Les exemples ci-après montrent ce que je veux dire : – Is she crying? iz chi craï-ign Pleure-t-elle ? Why is she crying? ouaï iz chi craï-ign [UK] h’ouaï iz chi craï-ign [US] Pourquoi pleure-t-elle ? – Do you love me? dou iou laev mi [UK] dou iou lev mi [US] M’aimes-tu/m’aimez-vous ? How much do you love me? h’aou maetch dou iou laev mi [UK]

interne. Exemple : Chez Lego, un nouveau jouet doit, pour être lancé, avoir le look de la marque, être vecteur de créativité et source d’apprentissage. Chez Miramax, un nouveau film doit se centrer sur une émotion principale (comme l’amour pour The Crying game ou l’envie pour le talentueux Mr. Ripley) et posséder un héros avec des failles (tel Joseph Fiennes dans Shakespeare in Love). Pouvoir se retirer facilement. La simplicité doit permettre de quitter rapidement une activité, en évitant l’escalade

time." "Al," he says quietly, "just build the damn products. You hear me?" "Then give me the people I need!" I tell him. "You've got enough people! Look at your efficiencies, for god's sake! You've got room for improvement, Al," he says. "Don't come crying to me about not enough people until you show me you can effectively use what you've got." I'm about to say something when Peach holds up his hand for me to shut my mouth. He stands up and goes over to close the door. Oh shit, I'm thinking. He turns

• herd: colonie c) breakwater: digue • were stranding themselves: s’échouaient d) whistling: sifflaient 8 a) parsemés, disperses b) draw 9 “a great herd” + “they kept coming and coming” + “all around me” + “stranding themselves” + “I felt like crying” + “along two miles of coastland” + “two hundred whales” +“tragedy” 10 “Dotted on the beach are human shapes, drawn to the tragedy.” (l. 18-19) recap 3 A man was jogging along the beach when he saw a curious movement in the water. He suddenly realized

most tragic of stories, people can express their ideas of what would be positive change through what seem the most ordinary of events. The father whose son was murdered, who simply wanted to be able to read his newspaper or watch the news without crying, or his wife who wanted to be more patient with her grandchildren. Or the young woman who witnessed a gun and bomb attack at her father's pub, who wanted to be able to meet with her friends for coffee in town without wondering when she would see the

Purcell and Dowland. But mostly folk music ... “‘I gave my love a cherry that had no stone,’” she sang in a true and pretty voice. 45 “‘I gave my love a chicken that had no bone I told my love a story that had no end I gave my love a baby with no crying’.” 50 55 She sang me across a bridge that seemed to be an astonishingly sensible, durable, and even beautiful construction designed by men to simplify my travels, and the water of the Hudson below us was charming and tranquil. It all came back

square was a small headline in white type describing a famous photograph. “A three-year-old boy saluting at his father’s funeral.” “A lone student standing in front of four tanks.” “An American President lifting his pet beagle up by the ears.” “A woman crying over the body of a student shot by the National Guard.” Instead of showing these famous photos, the negatives are developed in the reader’s head. The reader sees JFK Jr. He sees Tiananmen Square. He sees LBJ and Kent State. “Hey, I know all A