Tragedy

un groupe social plus ou moins en rupture (les militants, les délinquants ou les SDF), qui s’organise selon ses propres règles. 14 Op. cit., p. 73. 15 Marianne McDonald et J. Michael Walton (dir.), Amid Our Troubles, Irish Versions of Greek Tragedy, Londres, Methuen, 2002. 16 Tom Paulin, The Riot Act, Londres, Faber and Faber, 1985. 17 Dans la réalité historique, les Grecs ne considéraient pas qu’il allait de soi qu’un traître pût être enterré sur le territoire de la cité (voir, par exemple

traité des défis de l’action collective en matière de gestion des ressources naturelles en se référant aux métaphores classiques, souvent invoquées par des scientifiques de renommée mondiale, tels que Hardin, Olson ou Ostrom. Hardin (1968) évoque The Tragedy of the Commons et stipule que, faute d’une action collective appropriée, l’exploitation des ressources communes aura nécessairement des conséquences « tragiques ». Cette métaphore utilisée pour les ressources naturelles communes fait suite à celle

horrified) and his neighbor’s “What can it all mean?” clearly shows. The supernatural is instantly accepted in the normal, usual, rational world they’ve always known. The interpretation imposing itself is that they are “assisting at the working out of a tragedy somewhere. The question is, has it happened already, or is it going to come off?” whence the feeling of urgency to find the place’s location. The person who could have given them this precious information, and saved them time, is not present, therefore

clearly chain between all the actors which are to dispersed. So, it is necessary to create a better organisation, and to identify the stakeholders, to ease the development of news uncorked on the wood market. A crisis may seem like a drama or tragedy unmanageable, because after a crisis, there is no return to the same normality as earlier. In fact, it is a failure of creativity. Before the crisis there should be acts to prepare by simulations and training to acquire reflexes for the phase of

produced an « outrage on American girlhood ». It still is one of his most famous works and is generally praised for the freshness and vigor of the storytelling. While some may feel that James tries to overload a simple story with too many trappings of tragedy, few readers will be unaffected by Daisy's fate. In 1909 James revised Daisy Miller extensively for the New York Edition of his fiction. He deepened the tone of the story but some feel he robbed the original version of its color and immediacy. Despite

violence. He says the series shows not just the after-effects of the atomic bombing in Hiroshima and Nagasaki, but also Japan’s culpability during the war. Cartoonist Mayumi Kurata believes that Barefoot Gen is the only manga that can show the “fear and tragedy of war and nuclear bombs.” Freelance journalist Takao Saito said that the board’s decision is only a reflection of the state policy under Prime Minister Shinzo Abe’s administration. But Education, Culture, Sports, Science and Technology Minister

323 (Chicago: University of Chicago Press, 1989 Chicago]), pp. 44-46. [© 1989 by The University of which he disowned stood [in to some extent later on, one reason being that he had underlight or the that early work] Greek tragedy in the darkness of Wagfirst nerian music, and he had [I come to see that Wagner was a décadent [of the was told that the local paper has announced that I lecture tonight on "The order]. In spite of this and

territoire[15] ! Pour conclure, citons une déclaration que Kofi Annan, Prix Nobel de la Paix, alors Secrétaire général des Nations Unies, fit dans un rapport de l’ONU de l’an 2000 : “Yet there are two compelling reasons why this tragedy must not be forgotten. First if we forget Chernobyl we increase the risk of more such technological and environmental disasters in the future. Secondly, more than seven million of our fellow human beings do not have the luxury of forgetting. They

souligne l'aspect absurde de la réalité. Com­parant la poésie d'Apollinaire et théâtre de l'absurde, L. C. Breunig y découvre la même conscience du tragique de la condi­tion humaine : And like the mask-maker of Marcel Marceau, holding the two masks of Tragedy and Comedy and putting now one, now the other on his face in rapid-fire succession, the lines of Apollinaire with their sudden shifts often convey a single sentiment, neither tragic nor comic and yet containing both, the sentiment of the absurd. (13)

| PETTINGER, T. 2010. Optimal currency area and the euro [online]. Available from: http://econ.economicshelp.org/2010/01/optimal-currency-area-and-euro.html [Accessed on the 03 January 2011] | SAMUELSON, R. 2010 a. [in press]. The Real Greek Tragedy. Newsweek. [Online]. Available from: http://www.newsweek.com/2010/02/18/the-real-greek-tragedy.html [Accessed on the 24 december 2010] | SAMUELSON, R. 2010 b. [in press]. Europe’s Reckoning… and why it menaces recovery. Newsweek. [Online]. Available