Superheros

these heroes similar to or different from the heroes Tom Palmer usually represents? • What is a hero for you? What are his/her characteristics (behaviour, appearance, beliefs…)? Can we say that these men are “ordinary heroes” (as opposed to the superheroes of comic books)? 52 • U N IT 3 & Productions possibles : a. b. Group A: The different parts of the picture represent the different groups that contributed to the effort to help those affected by the terrorist attacks in America on 9/11. The

been screaming for him. I could even understand why it had taken so long for him to tell me. Helplessness was a state Eric didn’t often encounter. Eric was supernatural, and he was incredibly strong, and he was a great fighter. But he was not a superhero, and he couldn’t overcome several determined members of his own race. And I realized he’d given me a lot of blood when he himself was healing from the silver chains. Finally, something inside me relaxed at the logic of his story. I believed him in

reverse. One Sunday, I took the train down to Princeton Junction and spent twelve hours sitting in front of a computer screen with my pregnant daughter and her meek, chastened husband. Terrence might have lacked charm, but he was a technological superhero, and by the time I returned home the next morning, I had a printout that listed every Hawthorn Street and Hawthorne Street in both Carolinas. To my stupefaction, there were several hundred of them. Too many. In order to visit every number 87 on the

L’utilisation de connecteurs logiques (mots de liaison étudiés) – Une prise de parole organisée (intro, développement, conclusion) – Le présent de l’indicatif – Le lexique du héros Ce que l’on attend : – La contextualisation de la photographie (image du superhéros, latino aux Etats-Unis) – Le décalage entre le cliché sur le super-héros et le métier du personnage – La marchandisation du héros On valorisera : – L’hypothèse avec quizás + subjonctif ou le futur d’hypothèse On valorisera : – Toute référence

and new ideas. Charlie-Hebdo was banned in 1982 and resurfaced only in 1992, the humour of established titles like Fluide glacial became blunter and more aggressive and, in general, bande dessinée exchanged innovation and ideas for a return to the superhero, the classic adventure and an older graphic realism: westerns, science fiction (Moebius), crime thrillers (Jacques Tardi), political fictions (Enki Belal), special agents and spies (XIII, 1984), by the Belgian team of Vance and Van Hamme), and fantasy