Narrator

buys a cow from Grandfather, paying him 10 dollars and owing him 15. In April Jim rides up to the Shimerdas' and is greeted by Yulka, to whom he is giving reading lessons. Mrs. Shimerda grills Jim for info about what the men are doing in the fields. Narrator-Jim expresses dislike for her. He watches her cook and thinks it's funny that she wraps food in a comforter to keep it warm. When the workday is over Ántonia comes in from the fields. Jim sees how much she has grown in the last eight months. She's

teamfile-p45-1 /INTERACT/Team 1 Compréhension de Compréhension de l’écrit + expression l’écrit + expression A. Read and find out. The text is an extract from a. an article. b. a poem. c. an essay. d. a song. e. a novel. f. a speech. The narrator is a. unknown. b. Michael Crichton. c. Bradley. d. Kenner. Yellowstone Park is a. a natural preserve. b. an Indian hunting ground. c. an example of “untouched wilderness”. B. Find Yellowstone. Look at the map and locate Yellowstone. Olympic

Jesuits and Jansenists The new science The libertins Descartes Pascal Literature Poetry Boileau La Fontaine Fiction The pastoral novel The heroic novel The roman d’analyse The roman réaliste The philosophical novel The conte de fée First-person narrators Fictitious memoirs Theatre The theatres The players The staging of plays Audiences Tragicomedy Comedy Molière Tragedy Corneille Racine The Crisis of Confidence Moral reflection 85 85 86 87 88 89 89 90 90 93 93 94 95 96 96 99 99 100 101 101 102 103

nous raconte une histoire (une rencontre), nous propose une vision du monde, on veut également nous amuser (l’humour du texte a-t-il été perçu ?) - Qui parle, et comment ? Narrateur intra/extra diégétique ? focalisation interne How reliable is the narrator ? Nous présente sa vision des faits 2. Le passage - Quelle est sa nature ? Récit d’une rencontre, passage de dialogue au style direct, c’est un choix fait par le narrateur rapporté et à travers lui (elle, plutôt) le narrateur premier.

the Marabar because it robbed infinity and eternity of their vastness” (165). The echo of a cave is the absence of original sound; this absence indicates a lack of authenticity. Original sounds are transformed into meaningless disorder as the narrator suggests: There are some exquisite echoes in India; there is the whisper round the dome at Bijapur; there are the long, solid sentences that voyage through the air at Mandu, and return unbroken to their creator. The echo in a Marabar Cave is

Monks, secular men and masculinity », in D. HADLEY éd., Masculinity in Medieval Europe, Londres, 1998, p. 121-142. NELSON (J. L.), « Making a difference in the eighth century : the daughters of Desiderius », in A. MURRAY éd., After Rome’s Fall. Narrators and Sources of Early Medieval History. Essays presented to Walter Goffart, Toronto, 1998, p. 171-190. NELSON (J. L.), « Les reines caroligiennes », in S. LEBECQ, A. DIERKENS, R. LE JAN, J.M. SANSTERRE éd., Femmes et pouvoirs des femmes à Byzance

che significa “l’unto” e rimanda alla natura divina di Gesù. A lungo Bulgakov rimase incerto sui nomi: Yeshua, Eshua, Ijsus; Satana, Diavol. Nell’edizione definitiva sono quattro i capitoli dedicati a Gerusalemme, disseminati nel libro. Il primo è narrato da Woland, che si dice testimone degli avvenimenti; l’ultimo è il sogno di Ivan Bezdomnyj (tipico di Bulgakov il sogno); gli altri due sono letti dal manoscritto del Maestro da parte di Margherita. È sempre un’altra voce a narrare questi capitoli

suicide, Dorian distances himself from the blame by viewing her death as a work of art—a sort of tragic drama. In his frenzy to assign the responsibility to anyone but himself, Dorian blames Basil for the path his life has taken. In killing Basil, the narrator even writes the scene to demonstrate Dorian's perception that it is the knife that commits the murder, leaving Dorian himself, again, blameless. At the end of the novel, when it occurs to Dorian that he might confess, he instead chooses to destroy

admettre que. Ex. : I must admit that such situations are fairly uncommon. Je dois admettre que de telles situations sont particulièrement inhabituelles. I have the feeling that : j'ai le sentiment / l'impression que. Ex. : I have the feeling that the narrator has little sympathy for the hero. J'ai le sentiment que le narrateur éprouve peu de compassion envers le héros. To me / in my opinion / to my mind / as far as I am concerned : à mon avis. Ex. : As far as I am concerned, such practices should be banned

expression of one’s meaning by saying something which is the direct opposite of one’s thoughts, in order to make one’s remarks forceful. Humourous /’hjumErEs/: characterized by humour: capacity to cause or to feel amusement – funny. Neutral /’njutrl/: the narrator does not side with any party. dont la correction pourra être collective. Par exemple : demander à certains élèves de recopier leur production sur un transparent qu’on rétro-projettera, ou bien demander à 3 élèves d’aller au tableau en même temps