Living on My Own

the creation of African American literature. On the one hand, through both the indeterminacy and the self-questioning of the narrative I," she compels her readers, whatever their ethnic background, to engage in a thorough self-exploration, or, in her own words, "to examine centers of the self and ... to compare those centers with the `raceless' ones with which we are, all of us, most familiar" (Morrison qtd. in Hulbert 46). On the other hand, the narrating voice's indeterminacy enacts in a most forceful

generation. * My family and gender orientations. One study estimated that legal reforms accounted for about 20 percent of the increase in divorce rates in Europe between 1960 and 2002. Even if statistics are not still precise, it is estimated in France that a marriage on three finishes by a divorce, trends to get closer to one on two for big cities. For my personnel experience my parents have lived together for 22 years, they ever got any big trouble; at first they were living together without

marginality. The 3 characters are introduced as if they were linked by some unspeakable links. , "you two" "darling" "you" "the three of us", they speak to each other without mentioning any name. At once all begins with an unconventional couple living under the same roof, in the same bed: Lulu loves Robbie who loves Mark, they are involved in a so called love triangle. .Three levels of dependence: sex, money, drugs as the title suggests it. Robbie loves Mark who is seek, as Lulu loves Robbie

THEME 1 : ‘’ I prefer working alone’’ - Since my childhood, my entourage family and friends considered me as a complex character. In fact, I am hard to understand by others. Maybe it comes from me, being shy, timid, which creates difficulties for me to communicate my ideas and feelings to others around me. - Also, I have to recognise that I have my own way of thinking to get to a result. This could represent an advantage for me, and makes my personality more attractive and more original. However

d’anglais Lycée Joffre, Montpellier Fiona RATKOFF, Agrégée d’anglais Académie de Nantes Joanna WISTREICH, Certifiée d’anglais Lycée Alphonse Daudet, Nîmes NEW Introduction 1 2 3 4 5 6 7 8 Heroes and Legends Nobody’s Perfect The Grass is Greener Living Together Under the Influence Where Power Lies Moving On? Tomorrow’s World 03 05 17 29 43 55 68 81 93 105 109 Lecture suivie Fiches méthodologiques – Rédiger un dialogue – Écrire une lettre – Rédiger un article de presse – Les procédés de traduction

“With my father, however, all was a blank, both during and after.” (Page 4) “However” introduces the notion of blank. As a young man, he seems unable to find his own identity. This is symbolized mainly by passages where he wears someone else’s clothes: “That was how I came to inherit my predecessor’s overcoat. I found it eerie to walk around in it, knowing that it had belonged to a man who was now dead, but I continued to wear it on all our outings for the rest of the winter. To assuage my compunctions

reality in the near future… Going into orbit and spending holidays in space may really be possible very soon… Space is the new frontier and space tourism could become a new emerging industry in the 21st century… With the Galactic Suite, it’s like living in the future already and with this 21st century space hotel, the sky is the limit… 3. Afin de faciliter la prise de parole en continu et / ou en interaction, on pourra demander aux élèves de dresser au préalable et au brouillon une liste des sentiments

they will be good in their speech, but the question is: is it because they are afraid to say anything wrong or because they really think it? In fact, everybody says the King is good, since he did many efficient projects in order to improve Thai living conditions, a few knows he helped to install auto sufficiency in the country, but most of them cannot explain what the King did and most of them seem to satisfy themselves by simply saying that he is a good King. It looks like a sentence everybody

Wall Writing • Fragments from Cold • Facing the Music • Disappearances: Selected Poems • Collected Poems Illustrated Books The Story of My Typewriter (with Sam Messer) • Auggie Wren's Christmas Story (with Isol) • City of Glass (adapted by Paul Karasik and David Mazzucchelli) Editor The Random House Book of Twentieth-Century French Poetry • I Thought My Father Was God and Other True Tales from NPR's National Story Project THE BROOKLYN FOLLIES THE BROOKLYN FOLLIES PAUL AUSTER

’but I’ll be goddamned if I’m going to lay out my hard-earned money to help that creep Simp.’ ’You wouldn’t be helping Simp. He doesn’t even live there now.’ ’He owns the house, doesn’t he ? It would be different if I thought he’d ever repay it, but from what you say, he’s a loser and a stupid bastard, and I’d never see that money again.’ ’Oh, Norm, what difference does it make ? We have plenty.’ ’That’s easy for you to say. That money comes out of my hide.’ ’What do you think I do all day ? What